Audition Excerpt for AntonioThis is a featured page


AUDITION NOTES:
  • The production team will provide you with a scene partner to read with.
  • Memorizing the text is not required.
  • Mr. Hopkins is requesting you perform two pieces:
  1. The first will be of your choosing. (Our hope is that this will help warm you up and help you feel more comfortable before taking a pass at Webster's text, which can be challenging)
  2. The second will be from our script and is printed below.
  • There are additional notes to consider in the column on the right. These are here to give you more context IF you find that useful. Don't overdo it! There will be no written exam! :)

And most importantly enjoy yourself. We do not expect a "perfect" performance. We merely want a sense of who you are and what you may be able to contribute to our production. Have fun and we appreciate everyone's efforts in advance.
It will be great to meet you all face to face!
Jordan Morris: Producer





DUCHESS
I sent for you; sit down.
Take pen and ink and write – are you ready?

ANTONIO
Yes.

DUCHESS
What did I say?

ANTONIO
That I should write somewhat.

DUCHESS
Oh, I remember.
After these triumphs and this large expense,
It's fit, like thrifty husbands, we inquire
What's laid up for tomorrow.

ANTONIO
So please your beauteous excellence.

DUCHESS
Beauteous?
Indeed, I thank you. I look young for your sake:
You have ta'en my cares upon you.

ANTONIO
I'll fetch your grace
The particulars of your revenue and expense.

DUCHESS
O, you are an upright treasurer; but you mistook:
For when I said I meant to make inquiry
What's laid up for to-morrow, I did mean
What's laid up yonder for me.

ANTONIO
Where?

DUCHESS
In heaven.
I am making my will (as 'tis fit princes should
In perfect memory) and I pray, sir, tell me
Were not one better make it smiling thus,
Than in deep groans and terrible ghastly looks?
As if the gifts we parted with procur'd
That violent distraction.

ANTONIO
Oh, much better.

DUCHESS
If I had a husband now, this care were quit;
But I intend to make you overseer.
What good deed shall we first remember? Say.

ANTONIO
Begin with that first good deed began i' the world
After man's creation: the sacrament of marriage.
I'd have you first provide for a good husband;
Give him all.

DUCHESS
All!

ANTONIO
Yes, your excellent self.

DUCHESS
In a winding-sheet?

ANTONIO
In a couple.

DUCHESS
Saint Winifred! That were a strange will.

ANTONIO
'Twere stranger
If there were no will in you to marry again.

DUCHESS
What do you think of marriage?

ANTONIO
I take't as those that deny purgatory:
It locally contains or heaven or hell;
There's no third place in't.

DUCHESS
How do you affect it?

ANTONIO
My banishment, feeding my melancholy,
Would often reason thus-

DUCHESS
-Pray, let's hear it.

ANTONIO
Say a man never marry, nor have children;
What takes that from him? Only the bare name
Of being a father, or the weak delight
To see the little wanton ride a-****-horse
Upon a painted stick, or hear him chatter
Like a taught starling.

DUCHESS
Fie, fie, what's all this?
One of your eyes is blood-shot; use my ring to't,
They say 'tis very sovereign. 'Twas my wedding-ring,
And I did vow never to part with it
But to my second husband.

ANTONIO
You have parted with it now.

DUCHESS
Yes, to help your eye-sight.

ANTONIO
You have made me stark blind.

DUCHESS
How?

ANTONIO
There is a saucy and ambitious devil
Is dancing in this circle.

DUCHESS
Remove him!

ANTONIO
How?

DUCHESS
There needs small conjuration when your finger
May do it thus. Is it fit? [DUCHESS puts the ring on ANTONIO’s finger; he kneels.]

ANTONIO
What said you?

DUCHESS
Sir,
This goodly roof of yours is too low built:
I cannot stand upright in't nor discourse
Without I raise it higher. Raise yourself,
Or, if you please, my hand to help you; so.

ANTONIO
Ambition, madam, is a great man's madness
That is not kept in chains and close-pent rooms,
But in fair lightsome lodgings, and is girt
With the wild noise of prattling visitants,
Which makes it lunatic beyond all cure.
Conceive not I am so stupid but I aim
Whereto your favours tend; but he's a fool
That, being a-cold, would thrust his hands i' the fire
To warm them.

DUCHESS
So now the ground's broke.
You may discover what a wealthy mine
I make your lord of /

ANTONIO
O my unworthiness!

DUCHESS
You were ill to sell yourself;
This dark'ning of your worth is not like that
Which tradesmen use i' the city: their false lights
Are to rid bad wares off, and I must tell you,
If you will know, where breathes a complete man
(I speak it without flattery): turn your eyes
And progress through yourself.

ANTONIO
Were there nor heaven nor hell,
I should be honest: I have long serv'd virtue
And ne'er ta'en wages of her.

DUCHESS
Now she pays it.
The misery of us that are born great:
We are forc'd to woo, because none dare woo us;
And as a tyrant doubles with his words
And fearfully equivocates, so we
Are forc'd to express our violent passions
In riddles and in dreams, and leave the path
Of simple virtue, which was never made
To seem the thing it is not. Go, go brag.
You have left me heartless; mine is in your bosom;
I hope 'twill multiply love there. You do tremble;
Make not your heart so dead a piece of flesh
To fear more than to love me. Sir, be confident;
What is't distracts you? This is flesh and blood, sir;
'Tis not the figure cut in alabaster
Kneels at my husband's tomb. Awake, awake man!
I do here put off all vain ceremony,
And only do appear to you a young widow
That claims you for her husband; and, like a widow,
I use but half a blush in't.

ANTONIO
Truth, speak for me!
I will remain the constant sanctuary
Of your good name.

DUCHESS
I thank you, gentle love,
And 'cause you shall not come to me in debt,
Being now my steward, here upon your lips
I sign your Quietus est. This you should have begg'd now:
I have seen children oft eat sweetmeats thus,
As fearful to devour them too soon!

ANTONIO
But for your brothers-

DUCHESS
-Do not think of them:
All discord without this circumference
Is only to be pitied and not fear'd;
Yet, should they know it, time will easily
Scatter the tempest.

ANTONIO
These words should be mine,
And all the parts you have spoke, if some part of it
Would not have savour'd flattery. [CARIOLA reveals herself.]
Ha!

DUCHESS
Be not amaz'd: this woman's of my counsel.
I have heard lawyers say a contract in a chamber,
Per verba de presenti, is absolute marriage.
Bless, heaven, this sacred gordian, which let violence
Never untwine.

Some context:

This is known as "The wooing scene"

Seconds prior to the start of our excerpt, The Duchess has her faithful servant Cariola hide from view and listen in on her playful sparring with Antonio. The audience is treated to a glimpse of her at her most passionate and vulnerable . Here, safe from the controlling eyes of her brothers, she literally lets her hair down and opens her heart to the man she has chosen to love. She makes the choice to embrace all of the pleasures that her life and status afford her.

How the actor playing Antonio chooses to portray a man - in love, but of pride, and (complicating things much further for him) of considerably lesser social status is a wonderful challenge.

If Anotonio marries The Duchess, it will be in secret and despite being her equal in private, he will never wear the title of Duke or have the power or influence her money and family name should provide. He will be a kept man.

Antonio fears that his feelings for the Duchess are little more than 'mad ambition', and in this respect we can liken him to Banquo in Shakespeare's play Macbeth; a man who lacks drive because he believes that ambition brings about the downfall of good men.



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Hopkins

As you study the excerpt and prepare for your audition, also consider the following questions that Mr. Hopkins may ask you:

How old do you think Antonio is?

How long do you think he has been in the employ of The Duchess?

Does he fall in love with her for the first time during this scene?

If not, when did this attraction begin?

Did he work for her first husband?

Why during the scene, does he mock marriage?



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JordanMorris
JordanMorris
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